Wool

Fiber Purge Begins!!!


Tomorrow I shall be listing in my new ebay store, new because they apparently closed mine due to not using it for five years, wool and silk fibers of all types!  I also have gobs of needle felting and knitting tools I'll be divesting of, as I am now going in an entirely different direction with my studio.


Mohair in several color ways.


Loose hand dyed wool fibers of several varieties including llama and alpaca.



And I will also be divesting of some of my natural dyes, not the indigo or cochineal (yet anyway).

Studio Purge Part One

Over the next few days I will be posting not only images of my studio spaces, for accountability purposes, but also to let you know what is available.  I will be selling some items check out the studio purge tab for daily updates, and others will go to new homes for the sole cost of shipping!


In thinking about my "brand" I've had to make a decision as to which mediums and colors I will be working with and "why"!  This wall here contains beads, findings, and all sorts of mixed media objects that is and should be heaven for most artists.  Well this was true until today when I got into the last fight I ever want to have with myself over studio space EVER again!

Yes that is right, you know every time you scream in frustration because you can no longer move in your studio space, or find that book you need to finish a project at the last hour, you are fighting with yourself!

Stop fighting with yourself!


More beads, jars of silk cocoons, buttons, bells, baubles, and all sorts of nummies.  The crates above are filled with mixed media papers, findings, Angelina fibers, pine cones, silk carrier rods, and who knows what else.  Well I'm planning to start excavating tomorrow so we will soon find out what else lies within those crates.


Far shelf, more beads, findings, jars with little bells in them... you get the picture.  Foreground that's supposed to be my sewing table and right now it's loaded with drawing and painting supplies.


The other side of my sewing table.  The plastic drawer stuff (to the south of the table) are filled with vintage, antique, and somewhat modern laces, threads, buttons, ric rac, you name it, oh and a ton of handspun yarns from fibers I carded and dyed myself and in some cases even acquired from local sheep I used to sheer.


The wall of thread!  And those little plastic drawer organizers, if you guessed filled with beads you'd be correct.  And they are also over flowing with embroidery floss, pearl cottons, and the like.



More thread, and those plastic tubs are filled with... if you guessed vintage and antique trims you'd be correct! Two of the tubs are also filled with natural dyed wool, silk, and cotton fabrics.  All of those baskets and tubs on top are filled with more fibers, more threads, and more mixed media objects, seeing a theme here  yet???


And sweeping past the entrance to my sewing room... More threads under the clock.


More fabric, more threads, more fibers, and no place to put finished artwork!  This is the north wall in my sewing studio and I want ALL of this stuff to go bye bye, with the exception of the shelf (you see the side of it here) with the clock.  My goal is to put my drawing table and new flat file cabinet (that hubs is building for me) on this wall.


Finally the corner where I started, the NW corner of my studio.  Again more fibers, more threads, more fabric, all dyed with natural dyes.  Oh and a ton of knitting supplies and latruador that I'm never going to get to in this life time.

Stay tuned for Part 2 tomorrow the area of my studio known as the "overflow" area.

WIP Red Crow



The madder lac dyed silk organza is much darker than these photos depict, the stencil sketch of the crow barely peaking through due to the lighting.  I managed to stitch an outline of the crow in a coordinating reddish heathered wool thread from Aurifil Threads.

I've decided that this smallish piece will now become part of a larger piece I'm working on for my upcoming solo show, as crows and ravens have always been a prominent icon out here on the western prairie and plains.

Rock Inspiration


Needle felted wool and silk fibers and silk organza fabric dyed with indigo and natural dyes.  Agate type rock for inspiration.

The rock is mostly purples, red violets, golds and cobalt blues, though you'd never know it from this photo.


Since this is the last piece of my machine needle felted constructed cloth I thought I'd do something special with the piece, lots of hand stitching and knots.


I just need to decide which side I want to use, it's about six by seven inches in size.






Oh Christmas Tree!!!




Now some wool batting around the base to protect my vintage fabrics and lace.


A vintage slip (pettifore) that I found in the first wifes stash of yummy fabrics that I split up one side and draped over the wool batting.


Very pretty, and delicate!


Some crochet vintage panels draped over the vintage slip, I may rework this tomorrow but right now my raging head cold is saying "go take a nap"!


Yes the tree is in my studio, aka formerly known as the living room!


We will put the ornaments on the tree this Sunday, which will give the cats time to adjust to the tree.

Practice No. 2


Well since I lost my orginal practice piece I whipped up another one this evening. 
Cochineal dyed cotton fabric, machine stitched, wool quilt batting, aurifil threads.


I couched down more sisal to pratice some stitches with, this "x" shape I bobbin stitched using aurifil wool thread.  Above view is the back side of the sample that was facing upwards when stitching. 


Top side after bobbin stitching, the aurifil wool thread doesn't like to feed through the top on my 6500S so I bobbin stitch with it instead.


I've couched down more sisal since this shot was taken, now I will experiment with hand stitching over the sisal and then machine stitching over the hand stitching to see which effect I prefer.  This all in anticipation of finishing Bjorkboda.



Untitled WIP


Natural dye painted and rusted silk organza over cochineal dyed wool batting.


I'm off on a couple of tangents, now that I know I won't be entering Quilt National.  Hopefully the next time QN rolls around they will have either changed the image requirements, of 300DPI or I will have a new camera capable of taking that high quality images.  Until then I'm content working in my studio.


If you'd like to learn more about dye painting fabrics with natural dyes check out my eBook Mark Making with Nature!