Fabric

It's Been Awhile


So begins a new series I've titled "Fields". So far the goal is 18 large pieces and 12 small pieces. I'm using earth pigments, charcoal, conte, and mixed media pm cotton and silk fabrics this time around with machine stitching as the finishing touch.

I've been dragging my feet to start on this series, as it is the first series where I won't be using natural dyes. Fabric painting begins tonight. Photos coming soon.

Looking Back...

Shroud No. 1
Cotton Fabric
Natural Dyes
Rust
Time
Air
2002


I started out with several yards of white cotton fabric that I wrapped around a pile of leaves, twigs, stones, etc. into what looked like a swaddled child.


And there it sat, for a couple of months, in a rusty wheel barrow filled with rain water and vinegar.


And then it lived on my concrete driveway for a couple of months.  


The fabric bundle unwrapped.



Detail of the marks, stains, etc. 

Studio Purge Part One

Over the next few days I will be posting not only images of my studio spaces, for accountability purposes, but also to let you know what is available.  I will be selling some items check out the studio purge tab for daily updates, and others will go to new homes for the sole cost of shipping!


In thinking about my "brand" I've had to make a decision as to which mediums and colors I will be working with and "why"!  This wall here contains beads, findings, and all sorts of mixed media objects that is and should be heaven for most artists.  Well this was true until today when I got into the last fight I ever want to have with myself over studio space EVER again!

Yes that is right, you know every time you scream in frustration because you can no longer move in your studio space, or find that book you need to finish a project at the last hour, you are fighting with yourself!

Stop fighting with yourself!


More beads, jars of silk cocoons, buttons, bells, baubles, and all sorts of nummies.  The crates above are filled with mixed media papers, findings, Angelina fibers, pine cones, silk carrier rods, and who knows what else.  Well I'm planning to start excavating tomorrow so we will soon find out what else lies within those crates.


Far shelf, more beads, findings, jars with little bells in them... you get the picture.  Foreground that's supposed to be my sewing table and right now it's loaded with drawing and painting supplies.


The other side of my sewing table.  The plastic drawer stuff (to the south of the table) are filled with vintage, antique, and somewhat modern laces, threads, buttons, ric rac, you name it, oh and a ton of handspun yarns from fibers I carded and dyed myself and in some cases even acquired from local sheep I used to sheer.


The wall of thread!  And those little plastic drawer organizers, if you guessed filled with beads you'd be correct.  And they are also over flowing with embroidery floss, pearl cottons, and the like.



More thread, and those plastic tubs are filled with... if you guessed vintage and antique trims you'd be correct! Two of the tubs are also filled with natural dyed wool, silk, and cotton fabrics.  All of those baskets and tubs on top are filled with more fibers, more threads, and more mixed media objects, seeing a theme here  yet???


And sweeping past the entrance to my sewing room... More threads under the clock.


More fabric, more threads, more fibers, and no place to put finished artwork!  This is the north wall in my sewing studio and I want ALL of this stuff to go bye bye, with the exception of the shelf (you see the side of it here) with the clock.  My goal is to put my drawing table and new flat file cabinet (that hubs is building for me) on this wall.


Finally the corner where I started, the NW corner of my studio.  Again more fibers, more threads, more fabric, all dyed with natural dyes.  Oh and a ton of knitting supplies and latruador that I'm never going to get to in this life time.

Stay tuned for Part 2 tomorrow the area of my studio known as the "overflow" area.

Butterfly Collection


This collection is based upon an antique butterfly applique pattern that I found in our attic.  The pattern, and calico butterfly cutouts belonged to my husbands first wife's grandmother, the fabric butterflies are beautiful and someday I hope to either applique them to some fabric or have another quilter do the hand stitching for me.  Stay tuned as I work these butterflies into other colorways.

Stitching Again


It feels good to be stitching once again, whilest awaiting layers of drying paint to cure.  This piece is about 8x10 inches in size, machine stitched with green Aurifil thread, wool batting; I also used my Black Birds in Tree Stencil with acrylic paint onto fabric painted cotton cloth.


I shall stitch a few of the birds next, to bring them forward, and add a few beads and then this piece will be done.


Experimenting


Stenciling on natural dyed (tea and coffee) fabric.


I'm using purple and yellow acrylic paints and a stencil brush.




This while waiting for the screen printing supplies to arrive.  The bulb in my thermofax machine died and is no longer available, so on the advice of some trusted artist friends I've purchased Jacquards drawing fluid and filler to make silk screen designs.  The upside to this is I'll have large screens for screen printing natural dyes onto the cloth.

Black Birds in Trees


Working on some Crow Cards this afternoon using my Black Birds in Tree Stencil.


The orange mat is a non-slip artist map, unfortunately there is no label on the mat so I have no idea where it came from.


I started out with a piece of painted timtex that was painted by Seta Color Fabric Paints.  I will be adding some oil bar, ink, and other yummies next, and then it's time for some stitching.

WIP Dusk at the Marsh


I am working on a stitched story piece about one of my favorite local marshes and my stencil Black Birds in Tree are the main focus in this new series.  The marshes, Cooper's Marsh & Larson's Marsh, which is just a few miles east of Ames, Iowa, are surrounded by farmland.  


Seta Color Fabric paint on cotton fabric, I painted this fabric using a salt technique sometime around 2004/05. The orange piece is a non-slip gripping pad that holds the fabric in place while I surface the fabric.


I should be able to get four smaller pieces out of the larger piece of fabric, the piece directly above this photo.


For the purple stenciled areas I'm using Galleria thick body paint as it is less inclined to bleed. I applied the paint using a stencil brush and very thin layers of paint building the image up onto the fabric, why yes my hand is sore now!


Finished, the stencil did stick to the fabric, where it came into contact with the wet paint that soon dried.


I have to admit this is my all time favorite stencil in my series!  I will probably leave this particular piece of fabric as is for the moment and work on the other three pieces.  I am toying with using my inverse stencil on one of the pieces, more to come!


Patternless Skirt


Almost finished, the waste band and hem are next.


Natural, Indigo, and Rust dyed cotton muslin fabric.


It should have taken 45 minutes to construct from start to finish but since I accidentally sewed it together (wrong sides) twice it took about two hours!  So I decided I'll finish the waste band tomorrow and think about how I want to finish the hem.

Birds in Tree with Madder Lac


Madder lac natural dye extract screen printed, using deconstructed screen printing techniques with my Birds in Tree Inverse Stencil, onto cochineal dyed cotton fabric.


Birds in Tree Inverse Stencil taped to the front of a traditional silk screen for deconstructed screen printing!  Stay tuned for more on this technique!!!

Learn more about these techniques in my eBook and Video series 
Mark Making with Nature!!! 


Mark Making with Nature Video Series

Mark Making with Nature Video Series
Beyond the Ordinary in Surface Design


Digital Video Series 

This video series is available as a digital download from Vimeo.com!

Part One:
  • Getting Started
  • Painting with Natural Dyes & Gutta Resists
  • Creating a mono chromatic painting with Natural Dyes
  • Bound Resist

Part Two:
  • Other Resists, using tape as a resist, etc.
  • Monoprinting with objects.
  • Screen printing with Natural Dyes
  • Stamping and More with Natural Dyes

Part Three:
  • Bundle and/or Compost Dyeing
  • Other Bundle Dyeing techniques
  • Mixing Surface Design Techniques (painting, resists, etc.,) to achieve gorgeous cloth!

Part Four:
  • Making the Gum Tragacanth Binder
  • Using textured brayers to make marks on the cloth
  • Screen Printing using resists and non traditional techniques (a variation on deconstructed screen printing)

  • Monoprinting with found vegetation such as grasses and leaves.