Still Auditioning

I added a photo cut out of a crow, taken on the roof of my house, to see how if it would work in this piece, it has potential.

Auditioning Elements for a Work in Progress

Very simple, but lacking in additional interest.  The goal here is to avoid being cutesy.

The piece definately needs a pop of colour, but which colour and where?  If I attach the cochineal dyed silk organza I'll add stitching in a contrasting colour.

I'm not sure that this works either, but it's interesting... just the wrong colours and not enough of them. Acrylic on watercolor paper.

Here's a bit of gouache and watercolor, with ink sketches, on paper behind the main panel.  The main panel is still lacking, it needs a pop of something, anything... but it has to be the right element otherwise it just sits there like a lump.

So I will continue auditioning elements into the wee hours of the night, once I have this niche figured out the remaining eight niches will be a snap since I'm working in a series.  I will be adding additional elements to the outside of the niche in the form of copper and/or black brads and tacks.

WIP 080512

Making thread selections.

Aurifils cotton and rayon thread.

Aurifil wool thread.

One Work Many Views

A FB friend asked me if I was viewing a WIP from multiple directions, as from the one direction it looked like an old ship.  Yes, and I almost always photograph them in different directions especially when I'm experimenting with different layers as I tend to forget what I did previously.

My Creative Process Part 2 of 4

Stage 2 of my creative process is to take notes, if I haven’t been doing so already, and to start auditioning my materials for the new work/series.   

My drawing desk on which I keep a piece of white butcher paper.  I like the white paper as it allows me to draw on it, take notes, and audition darkers objects such as these letter press blocks.

For those of you following my blogs you know that I have a large inventory of supplies to work with: these supplies range from naturally dyed fabrics, to handmade papers (many I made myself), inks, paint, threads, beads, shells, rocks, etc.  Actually, what I have are collections.  Collections that I have been creating and adding too since I was about nine years of age.

Some natural dye materials for dyeing fabric and fibers.

Rusty objects for dyeing fabrics and papers as well as for inspiration.

 

Shell bits and rocks from one of my collections, these live on my desk.

As part of the creative process I audition many of the objects in my collections, and image library, sometimes it's a series of phrases I've read in a book that inspire a piece.