Collection

WIP Crows Follies


Crows Follies No's. 1 thru 14

There is nothing like seeing them laid out like this to make one realize what needs to be done, fixed, changed, etc.!  I'll have to have John make two new raised panel frames for me to replace No's 11 and 12 as these two do NOT go with this particular series color wise.  The good news is is I'll have him make more than two new frames for a new series in the blue tones.

Off to add more paint and ink to these panels.

Butterfly Collection


This collection is based upon an antique butterfly applique pattern that I found in our attic.  The pattern, and calico butterfly cutouts belonged to my husbands first wife's grandmother, the fabric butterflies are beautiful and someday I hope to either applique them to some fabric or have another quilter do the hand stitching for me.  Stay tuned as I work these butterflies into other colorways.

Dualing Diamonds Collections


Dualing Diamonds One


Dualing Diamonds Two

These will be available through my Spoonflower Shop later this evening. 

I learned how to make t his pattern this past spring when I was researching how to make sunflowers using Illustrator and happened upon a youtube tutorial on how to make Lotus Blossoms instead.  I have to admit the idea of using illustrator to create such a complicated looking object was a wee bit terrifying at first, but after two days of practicing I had my very first Lotus.

My Creative Process Part 2 of 4

Stage 2 of my creative process is to take notes, if I haven’t been doing so already, and to start auditioning my materials for the new work/series.   

My drawing desk on which I keep a piece of white butcher paper.  I like the white paper as it allows me to draw on it, take notes, and audition darkers objects such as these letter press blocks.

For those of you following my blogs you know that I have a large inventory of supplies to work with: these supplies range from naturally dyed fabrics, to handmade papers (many I made myself), inks, paint, threads, beads, shells, rocks, etc.  Actually, what I have are collections.  Collections that I have been creating and adding too since I was about nine years of age.

Some natural dye materials for dyeing fabric and fibers.

Rusty objects for dyeing fabrics and papers as well as for inspiration.

 
Shell bits and rocks from one of my collections, these live on my desk.

As part of the creative process I audition many of the objects in my collections, and image library, sometimes it's a series of phrases I've read in a book that inspire a piece.

To Frame or not to Frame

I’ve noticed a rush to stretch quilts around stretcher bars/frames of late and am seeing a good many of these go up for sale on etsy.com. Not all pieces are meant to be stretched, maybe it needs to be matted and framed, maybe the piece needs a shadow box, or MAYBE it actually needs a sleeve sewn to the back and hung on the wall like a traditional wall quilt.

What I am noticing is a bunch of quilts that have been stretched and it does more to detract from the piece than it does to help it. I remember my screenprinting professor, Tim McIllrath, coming unhinged at one student who stretched what “was” a lovely hand stitched screen printed piece, unfortunately it distorted the stitching – which is something I’m seeing in a lot of pieces, and when the student removed it from the frame the damage had been done and was fairly permanent.

When deciding how to finish a piece one must really step back from their baby and ask themselves does this piece stand on it’s own merits with or without a border/matt? How will stretching this piece affect/effect the stitching, pattern, piecing, embellishments, etc?

There is no easy answer to this dilemma expect to experiment with scraps, stitching techniques etc. this will give you your answer. It is, however, very disconcerting to see what would otherwise be a gorgeous piece stretched around stretcher bars and I suspect the artist doing so believes that the pieces will sell better in doing so – and this couldn’t be further from the truth especially if you are looking for collectors for your works.

Also sometimes a piece simply needs a large plexi frame, this would include the sides, expensive yes but your beloved creation may find a home much sooner in doing so.