Lines

Registration NOW OPEN for Earth and Sky From Sketch to Stitch

Earth and Sky: From Sketch to Stitch

A Mini Master Class click here to learn more!

Earth and Sky is an Eight Week Mini Master Class divided into 2 Four Week modules with a One Week break in between the two modules.

Module 1: Sketch, Draw, Paint, Surface Design

Break Week

Module 2: Sketch, Surface Design, Stitch, Embellish

Class begins April 15th! 

Lifetime Access to the Clas

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NOTE: Because of the intensity of this class I am limiting the number of spaces available to 20!!!

From Sketch to Stitch



My Aurifil thread color palette for my latest series "Field Notes"


Field Notes was born out of several loves, passions of mine:

The love of the prairie.
The love of crops as they rise out of the ground each year.
The love of the symmetry and simplicity of how the fields themselves are arranged in the countryside.


Field Notes in progress on my table.


Some color studies.



Watercolor crayons, water soluble oil pastels, and water soluble graphite on sketchbook paper.

Artist Interview with Brenda Backman

Brenda Backman 
 
 

I began my current series, Lines Threads Connections,  working within the parameters of a challenge which limited the size of the piece.  While stitching the felt and seeing the stitches interlock and connect with one another, I thought of how we are all connected.  The connection of living on our planet and being from our beautiful Earth, and the connection of our DNA and being made of stardust, all draw us together.  I’ve enjoyed exploring the different aspects of this idea with different colors and textures.

I’ve been making art and stitching since I was twelve and started making my own needlepoint designs.  I’ve been hooked ever since.  In 2000 I graduated from Iowa State University with a BFA and began my professional art career.  I’ve shown my work all over the US and internationally as well.  My work is characterized by a lively use of color and a heavily detailed surface which gives an intimate quality to the pieces.
 


Lines Threads Pebbles
 
Q. How did you get your start as a professional artist?

Brenda:   I've been working on my art since I was a teenager, and have been sewing since I was a child.  I developed a love of embroidery and fibers from my mother and grandmother who both sewed.  I further developed my skills at Iowa State University and have been working as an artist since graduating.


Q. How long have you been working as a professional artist?

Brenda: I've been working as a professional artist since 2002.

Q. What are you currently working on?

Brenda: Currently I'm working on my Lines Threads Connections embroidery series.  The series explores how we are connected to each other and our environment.

Q. Your current body of work depicts?  

Brenda:  My current body of work is abstract and uses color and shape to depict connections.

Q. What materials do you work with and why?

Lines Threads Ripples
 
Brenda:  I'm a fiber artist.  I work mainly with embroidery threads, felt, cotton and silk fabric, and beads.

Q. What excites you about using the materials you work with?

Brenda:  I love the textures my materials can create.  They seem endless!  Fabric is so versatile, it can be soft or stiff, the beads give shimmer, and threads have so many textures to work with.

Q. Tell us about some of the processes you do in your work

Brenda:  I work in machine and hand embroidery, combining the two to create a dense textured surface.

Q. When you make a piece where does the inspiration come from?

Brenda:  I take inspiration from my materials and sometimes from dreams.  I find the textures and colors of the fabric, threads, and beads to be inspiring.
Seeding

Q. Do you make art every day?

Brenda:  No I don't make art every day.

Q. What other artistic interests do you have?

 Brenda:  I'm also interested in painting

Q. Tell us something that most people dont know about you thatthey would find interesting.

I enjoy cooking and creating new dishes.

You can see more of Brenda's work here.

Stitching Inspiration 030713

 
Slurry dyed, natual dyed, silk fabric, stitched into narrow rows, I will be adding the wool batting and backing fabric this evening and will start stitching tomorrow, I can't wait to see what emerges out of this piece.



Love the subtle undulations of the lines on this piece of chert, or is it flint, I don't remember.

WIP - Hands and Sandstone Cliffs


I was starting to think I had made a mistake adding the vertical lines to this piece, that there's no way they could occur naturally on cliffs, after all most color deliniation lines we see are horizontal in the forms of layers right?  Wrong.  My gut instinct was correct the proof came when I was browsing through some photos of the local limestone cliffs.


I was greatly encouraged when I came across this batch of photos this evening.  So in addition to working on the computer tomorrow, I'll be pushing this hands piece even further.


 

Time to make some encrusted fabrics as well, this is a section of the same sandstone cliffs in the above photos.


Ledges State Park, Boone, Iowa.

Prairie Potholes Rural View

Prairie Potholes Rural View - In progress they need something I'm just not sure what maybe a good nights sleep and NO interruptions in the morning will help??? John was in my studio while I was working I have to admit I did NOT appreciate being told I had to stop because he couldn't hear the woman on the phone, you don't want to know what I was thinking but I did keep it to myself.