Figures in Motion


Figure in motion, charcoal on gesso'd watercolor paper.


Figure No. 2 in motion.  Figure No. 1 slightly gesso'd out and then No. 2 added on top of the wet gesso.


Figure No. 3, done same as No. 2.  I may have enough space to add another figure.  Taken from Muybridge's photo series of back side shots of a nude male throwing a ball.

Hello Monday Thoughts on Licensing Fear and Adobe Illustrator


The past few years in art licensing have been interesting to say the least.  I think it was sometime late 2013 I had decided that I really wanted to learn how to use Adobe Illustrator for repeat pattern design and for everything else one would use it for creating licensable designs.

My long suffering and very loving husband gave me the money for what was at that time to me an expensive class.  Yay me, I'm going to master Illustrator.  Not!!!  By week three I was so damned terrified of the program it'd be almost a year and a half before I'd even open the program on my computer again.

You see it turns out that while the instructor knows gobs about creating repeat patterns, designs, icons from one's original artwork and the like she didn't know jack shit about Illustrator and to be honest should have never have been teaching a course on illustrator!

Roll in Bonnie Christine and Elizabeth Olwen via Skillshare.  While not promising me that I would master Illustrator, like the last instructor had, they did tell me that I would at least know how to turn the program on and with lots of practice I too could create a vector, and most importantly create images that could be translated into a repeat pattern.  And they delivered on what they had promised.

Curious I decided to sign up for Brad Woodard's Adobe Illustrator classes.  Brad where have you been the past three years!!! I learned more about Illustrator from him in one week than I had in three years elsewhere, most importantly which tools inside of Illustrator that would make my work flow efficient, no more doing things the hard way!

So curiosity got the better of me and I went back to the original class, started at the beginning thinking that well now that I understand the terminology and some of the tools now maybe, just maybe...

Oh hell I didn't even last five minutes before I was screaming at my computer monitor telling the instructor that she was doing it wrong, all wrong, she was using the wrong tools, making things way harder than they had to be... and then it dawned on me.  She sucked!  I had been living in fear of a computer program for well over a  year because this woman had NO business teaching a class on illustrator! This is some instructors super power by the way, they teach fear, they don't teach skill, confidence, etc, no they teach fear.  Walk away, NO RUN AWAY from these people they are toxic!

Sooooo, are you still there?  This fall I was invited to participate in an interview about art licensing and my studio habits/life.  I was excited, ecstatic, it's a REALLY good thing Annie told me she wanted my interview information on November 25th instead of the actual deadline of November 29th because I probably would have found a reason to say No!

Why you ask?  Even though I've been licensing my stencil designs with StencilGirl Products I have yet to get up the courage to send my portfolio out to agents for representation. Because I'm afraid.  What am I afraid of you might ask?  To be honest nothing in particular, other than being accepted... Yes I'm nuts, I think I may have stated this before.

But looking at the sheets I put together for Annie's interview I see now that being afraid of being rejected is just as lame as being afraid of being accepted.  I'd like to spend more time pondering this topic but I have some drawing to do and will then digitize those images in Illustrator for creating licensable art.  


Blackbirds in Trees Stencil from StencilGirl Products

 So this is where I've been the past three years, hiding in my studio creating work like a mad woman and too afraid to submit it because "what if they want more and I can't deliver"???

Drawing


I finally have my easel adjusted to a height that is comfortable for drawing, and this was no small feat because every adjustment required me to sketch to see if the height was correct or not.


I'm also using my drawing table for what I intended it to be used for, drawing.


Experimenting with a variety of charcoals and pastels.


I have a new affliction, it's called charcoal!





Pumpkin Season has Arrived


Typically I buy quite a variety of pumpkins and squash each year, this year I decided to buy a bunch of fake pumpkins and squash.  I'm still looking for a really large fake pumpkin that looks "authentic".
Why would I buy fakes instead of real ones?

Simple.

I'm setting up a still life in my studio for painting, drawing, etc., and the real ones don't last into March, about the time when I'll be designing  collections for next Fall.

I have a ton of  photos for color and texture references (taken at a local pumpkin farm), but there's nothing as nice as working from a real 3D object.

And don't worry my designs won't look anything like these in the photos, they are just a starting point to work from.


Now to find a decent looking fake pomegranate and all will be well in the world of studio props.