Watercolor

Color


I've finally hit that point, the one where I can no longer remember which colors are in my watercolor palettes so tonight I made a color map in a notebook for future reference.


I made maps for the first three palettes tonight, and as I was doing so I started wishing I had one of those huge palettes, the kind that holds 36+ pans. I have gobs of tubes of paint that are never used because there's no room in my current palettes for them to live.


My latest acquisition, a Pima watercolor palette.  The colors are numbered so it's hard telling what the actual colors are, am hoping I will find out someday what they are, I like them they're bright clear colors.

Experiments in Malachite


Working on some nummies with watercolors, inks, and golden's fluid acrylic paints.  Crow is from my stencil collection through StencilGirl Products!


As I said earlier I totally forgot that I had the watercolor crayons so I broke them out and started making some color palettes with the various crayons to see what colors will work in an upcoming series of one offs.  I'm loving the blues and greens for sure with malachite being my favorite thus far.

Deconstructed Screen Printing with Natural Dyes and Stencils!

Materials List: 
Silk Screens
Squeegee for Silk Screen
Stencils
Natural Dye Extracts
Gum Tragacanth Binder
Containers to hold natural dye extracts/binder I used paper cups.
Plastic Spoons
Newspaper
Masking Tape
Fabric or Watercolor Papers

Products Used:

Links:
How-to make the Gum Tragacanth Binder Video

I am here today to show you how to use stencils with a silk screen and natural dyes for screen printing.



Instructions:
Mix up Gum Tragacanth with Natural Dye Extracts; see video for specific amounts and mixing instructions.  I made a little card with the names of the extracts I was working with and daubed a bit of the color next to each name, for future projects.

The Natural Dye Extracts blended with the Gum Tragacanth are now ready for printing!

Most silk screens won’t be the same size as your stencil, however, I have an easy fix for this problem.   Measure your screen and your stencil and then block off the required space for your stencil by taping news print to the FRONT of your silk screen.  Then tape your stencil to the front of the screen making sure to overlap the stencil onto the newsprint.



Blocked off silk screen, as seen from the front.


Blocked off silk screen as seen from the back.


Black Birds in Tree Inverse taped to the FRONT of the silk screen.



Place your natural dye binder medium onto the screen, towards the edge, this is known as “the well”.  Using your squeegee pull the medium in a firm manner across the screen, once you have reached the other side, pull the medium back towards yourself, do this several times adding more of the natural dye binder medium if needed until the color on the screen looks even.


Gently lift up the silk screen from your substrate, I used 300# cold press watercolor paper for this sample.



For this sample I used the same stencil and screen to print the image onto cochineal dyed cotton fabric that I had surfaced using my hand and earth pigments and fabric paint.



Printing onto cochineal dyed cotton fabric.




If you wish for your fabric images to be free of bumps, etc., tape the fabric to your surface to keep it from moving, etc., while printing.  I prefer an organic and whimsical look and therefore don’t tape my fabric to my table.

Oooh Stencils

 
Yesterday something absolutely wonderful arrived in the mail for my approval, my sample stencil from one of my own designs "Birds in Tree"!  I've been playing with it ever since it arrived, and of course the inevitable wait time for layers of gesso to dry had to be endured, but over all I'm having a blast this afternoon!
 
More layer as these two layers should be dry and ready for the next several processes, which includes some ink/pen techniques and then more layering.  I see some numbers and text in this piece as well. 
 
Tomorrow I will have some fabric samples to show and tell.