Cotton

All Things End, Eventually!



Field Notes #'s 1-36 ready for their edges to be bound and then mounted to their stretched canvas frames.  Each piece is 6x6 inches.

So why am I having such a hard time getting there? Excellent question. And I finally decided it's because I don't want this particular project to end.

Which is odd because the whole time I've been working on this project I've been chomping at the bit to start the next state of my Fields Series!

Anyway, I'm off to stitch their tiny edges, and get started on attaching the hanging hardware to the frames.

Field Series Update


My thread order came today. If you've been following me on Facebook then you know there's been a lot of drama lately with my trying to obtain a rather allusive Aurifil Thread color #2612 aka arctic ice.
Well that was through Amazon.

Three spools of the wrong color later I put out a plea on Facebook begging to know everyone's favorite place to buy Aurifil Thread.  Follow That Thread came up, repeatedly.  So late Sunday night I put together my order, which included the much desired #2612, and it arrived today.

And the much desired color is quite desirable!!! It IS the perfect sky color!


#2612 is second from the left and it matches my earth pigment painted fabrics and perfectly!


Six pieces almost stitched, thirty left to go.


My color palette for the Fields Series sans one spool that should be here hopefully this weekend, because I of course ordered it from Amazon.  Odd that it'll be the correct color?

Corn 2016


Corn No. 49 from 2012

Just when I thought I didn't have anything more to say about Corn, I was asked to participate in a three woman show come January 2017.  I was asked if I would be interested in creating some new Corn pieces for the show.

I said yes, all the while thinking I'm done with Corn, why am I saying yes?

Well it turns out I'm not done with Corn. The subconscious wants what it wants, and it was clearly wanting Corn.

Yesterday I managed to purchase the stretched canvas upon which my new pieces shall be mounted, and for a really good price.


Upon that purchase all sorts of imagery of finished pieces popped into my head. This time I'm going for a more earthy approach, using actual soil, clays, ochers, and earth pigments in combination with indigo, rust, and natural dyes (yes I'll be dyeing with corn husks, leaves, cobs, etc, with just a touch of digitally printed fabrics that lends to the modern digital tech age today's farms are becoming!

Stay tuned!!!


Looking Back...

Shroud No. 1
Cotton Fabric
Natural Dyes
Rust
Time
Air
2002


I started out with several yards of white cotton fabric that I wrapped around a pile of leaves, twigs, stones, etc. into what looked like a swaddled child.


And there it sat, for a couple of months, in a rusty wheel barrow filled with rain water and vinegar.


And then it lived on my concrete driveway for a couple of months.  


The fabric bundle unwrapped.



Detail of the marks, stains, etc. 

Studio Purge Part One

Over the next few days I will be posting not only images of my studio spaces, for accountability purposes, but also to let you know what is available.  I will be selling some items check out the studio purge tab for daily updates, and others will go to new homes for the sole cost of shipping!


In thinking about my "brand" I've had to make a decision as to which mediums and colors I will be working with and "why"!  This wall here contains beads, findings, and all sorts of mixed media objects that is and should be heaven for most artists.  Well this was true until today when I got into the last fight I ever want to have with myself over studio space EVER again!

Yes that is right, you know every time you scream in frustration because you can no longer move in your studio space, or find that book you need to finish a project at the last hour, you are fighting with yourself!

Stop fighting with yourself!


More beads, jars of silk cocoons, buttons, bells, baubles, and all sorts of nummies.  The crates above are filled with mixed media papers, findings, Angelina fibers, pine cones, silk carrier rods, and who knows what else.  Well I'm planning to start excavating tomorrow so we will soon find out what else lies within those crates.


Far shelf, more beads, findings, jars with little bells in them... you get the picture.  Foreground that's supposed to be my sewing table and right now it's loaded with drawing and painting supplies.


The other side of my sewing table.  The plastic drawer stuff (to the south of the table) are filled with vintage, antique, and somewhat modern laces, threads, buttons, ric rac, you name it, oh and a ton of handspun yarns from fibers I carded and dyed myself and in some cases even acquired from local sheep I used to sheer.


The wall of thread!  And those little plastic drawer organizers, if you guessed filled with beads you'd be correct.  And they are also over flowing with embroidery floss, pearl cottons, and the like.



More thread, and those plastic tubs are filled with... if you guessed vintage and antique trims you'd be correct! Two of the tubs are also filled with natural dyed wool, silk, and cotton fabrics.  All of those baskets and tubs on top are filled with more fibers, more threads, and more mixed media objects, seeing a theme here  yet???


And sweeping past the entrance to my sewing room... More threads under the clock.


More fabric, more threads, more fibers, and no place to put finished artwork!  This is the north wall in my sewing studio and I want ALL of this stuff to go bye bye, with the exception of the shelf (you see the side of it here) with the clock.  My goal is to put my drawing table and new flat file cabinet (that hubs is building for me) on this wall.


Finally the corner where I started, the NW corner of my studio.  Again more fibers, more threads, more fabric, all dyed with natural dyes.  Oh and a ton of knitting supplies and latruador that I'm never going to get to in this life time.

Stay tuned for Part 2 tomorrow the area of my studio known as the "overflow" area.

Patternless Skirt


Almost finished, the waste band and hem are next.


Natural, Indigo, and Rust dyed cotton muslin fabric.


It should have taken 45 minutes to construct from start to finish but since I accidentally sewed it together (wrong sides) twice it took about two hours!  So I decided I'll finish the waste band tomorrow and think about how I want to finish the hem.

Birds in Tree with Madder Lac


Madder lac natural dye extract screen printed, using deconstructed screen printing techniques with my Birds in Tree Inverse Stencil, onto cochineal dyed cotton fabric.


Birds in Tree Inverse Stencil taped to the front of a traditional silk screen for deconstructed screen printing!  Stay tuned for more on this technique!!!

Learn more about these techniques in my eBook and Video series 
Mark Making with Nature!!! 


Black Friday Sale!!! eBooks, DVD's, Academy, and More!


Black Friday Sale 2013!!!
 
DVD Set $69.95
Digital Download $39.95
eBook Combo $19.95
 

Black Friday Membership Sale!!!
$299.00 (non-refundable)
Join me and other artists in 2014! 
We will be taking fabric from ordinary to extraordinary!!!
 

Stitched Stories, Mix Media Prints,
Fabric Bundles and More!!!
 
 
 


Gelatine Plate Printing with Natural Dyes


This is from several years ago, I have a geliplate my best friend Brenda got me for xmas last year that I really, really need to use! I'm thinking some earth pigments and my Black Birds in Tree stencil onto fabric for starters.  The plate in the above photo I made myself, here I'm using lace and trims as resists for the print which I made onto fabric.


Cotton fabric, that I do believe I compost dyed, osage orange on the gelatin plate with some lace trims gave a nice resist pattern.  After curing and washing the osage orange color is about 30% of it's orignal brightness on cotton fabric.  Now to find this piece of fabric in my stash and audition some threads for stitching.

Fall Colours


September is drawing to an end, so thought I would post some fall colours!


Rust on hand dyed cotton fabric.
 
I do believe I dyed this with MX dyes back around 1994,  before I became allergic.  Anyway, I love the colors of this piece, as the leaves start to change I will take some photos, do some color studies and use some of this fabric as it's wanting to be stitched and oh so badly.

WIP - Crow Tree


Now in the auditioning stage.  Digitally printed silk organza fabric layered on top of painted timtex.

 
The digital print laying on top of some rosin paper, that I have covering my sewing table.


Digital silk print layered on top of a cotton digital print.  I'm experimenting with the ethereal values of the prints at this point to see which direction I want this piece to go.

Oh Christmas Tree!!!




Now some wool batting around the base to protect my vintage fabrics and lace.


A vintage slip (pettifore) that I found in the first wifes stash of yummy fabrics that I split up one side and draped over the wool batting.


Very pretty, and delicate!


Some crochet vintage panels draped over the vintage slip, I may rework this tomorrow but right now my raging head cold is saying "go take a nap"!


Yes the tree is in my studio, aka formerly known as the living room!


We will put the ornaments on the tree this Sunday, which will give the cats time to adjust to the tree.