Cloth

Registration NOW OPEN for Earth and Sky From Sketch to Stitch

Earth and Sky: From Sketch to Stitch

A Mini Master Class click here to learn more!

Earth and Sky is an Eight Week Mini Master Class divided into 2 Four Week modules with a One Week break in between the two modules.

Module 1: Sketch, Draw, Paint, Surface Design

Break Week

Module 2: Sketch, Surface Design, Stitch, Embellish

Class begins April 15th! 

Lifetime Access to the Clas

s

NOTE: Because of the intensity of this class I am limiting the number of spaces available to 20!!!

Looking Back...

Shroud No. 1
Cotton Fabric
Natural Dyes
Rust
Time
Air
2002


I started out with several yards of white cotton fabric that I wrapped around a pile of leaves, twigs, stones, etc. into what looked like a swaddled child.


And there it sat, for a couple of months, in a rusty wheel barrow filled with rain water and vinegar.


And then it lived on my concrete driveway for a couple of months.  


The fabric bundle unwrapped.



Detail of the marks, stains, etc. 

Black Birds in Trees


Working on some Crow Cards this afternoon using my Black Birds in Tree Stencil.


The orange mat is a non-slip artist map, unfortunately there is no label on the mat so I have no idea where it came from.


I started out with a piece of painted timtex that was painted by Seta Color Fabric Paints.  I will be adding some oil bar, ink, and other yummies next, and then it's time for some stitching.

WIP Dusk at the Marsh


I am working on a stitched story piece about one of my favorite local marshes and my stencil Black Birds in Tree are the main focus in this new series.  The marshes, Cooper's Marsh & Larson's Marsh, which is just a few miles east of Ames, Iowa, are surrounded by farmland.  


Seta Color Fabric paint on cotton fabric, I painted this fabric using a salt technique sometime around 2004/05. The orange piece is a non-slip gripping pad that holds the fabric in place while I surface the fabric.


I should be able to get four smaller pieces out of the larger piece of fabric, the piece directly above this photo.


For the purple stenciled areas I'm using Galleria thick body paint as it is less inclined to bleed. I applied the paint using a stencil brush and very thin layers of paint building the image up onto the fabric, why yes my hand is sore now!


Finished, the stencil did stick to the fabric, where it came into contact with the wet paint that soon dried.


I have to admit this is my all time favorite stencil in my series!  I will probably leave this particular piece of fabric as is for the moment and work on the other three pieces.  I am toying with using my inverse stencil on one of the pieces, more to come!


Why I don't Eco-Dye My Fabric

Why I don’t Eco-Dye Fabric
I do, however, dye, paint, and print, my fabric with natural dyes.

Photo courtesy of the Main Street Cultural District Ames, Iowa.

I participated in a local art walk last Friday and after three hours of questions about my natural dyed scarves, artwork, etc., I am once again reminded as to why I don’t call myself an eco-dyer, for the most part nobody is interested in the craft of eco-dyeing! 
While most people play lip service to protecting the environment, sustainability, fair trade practices, and all things “green” the fact of the matter is when most people found out that I was using tree bark, mushrooms, leaves, bugs, and other stuff to dye my art cloth the response was an overwhelming “that’s nice” or “that’s really cool”.  "That’s nice" is the kiss of death, it's the Mid westerners version of “so what” or “who cares”!

The whole experience solidified in my mind what I already knew, while there are some that are truly concerned about the environment and sustainability, the majority only cares if it saves them a buck or two.  Which leads me back to why I don’t eco-dye my fabric, fibers, and threads, but in fact dye them with Natural Dyes, to me it’s about the process and the relationships I form with other dyer’s, and most importantly with nature that surrounds and inspires me. 

Natural dyed silk scarves.

For me the process is not about immediate gratification, but about discovery, learning, exploring, and most importantly relationships.  Unless a local woodworker gifts me a bag of wood chips from their dust collection system or from their lathe turnings, the wood, barks, and roots I use to create my designs are collected over a period of years, often time’s decades. 

My finished artwork was a hit with everyone with plenty of people telling me they’d love to be able to stitch and sew like I do and do I teach classes?  The evening wasn't a total bust, I got plenty of hits from women of all ages that are interested attending a stitching party; the older women of course were very excited about the wine aspect of said parties. 

Click here to learn more about eClasses, Workshops, and my newest offering Out of the Box Art Parties!

Birds in Tree with Madder Lac


Madder lac natural dye extract screen printed, using deconstructed screen printing techniques with my Birds in Tree Inverse Stencil, onto cochineal dyed cotton fabric.


Birds in Tree Inverse Stencil taped to the front of a traditional silk screen for deconstructed screen printing!  Stay tuned for more on this technique!!!

Learn more about these techniques in my eBook and Video series 
Mark Making with Nature!!! 


Mark Making with Nature Video Series

Mark Making with Nature Video Series
Beyond the Ordinary in Surface Design


Digital Video Series 

This video series is available as a digital download from Vimeo.com!

Part One:
  • Getting Started
  • Painting with Natural Dyes & Gutta Resists
  • Creating a mono chromatic painting with Natural Dyes
  • Bound Resist

Part Two:
  • Other Resists, using tape as a resist, etc.
  • Monoprinting with objects.
  • Screen printing with Natural Dyes
  • Stamping and More with Natural Dyes

Part Three:
  • Bundle and/or Compost Dyeing
  • Other Bundle Dyeing techniques
  • Mixing Surface Design Techniques (painting, resists, etc.,) to achieve gorgeous cloth!

Part Four:
  • Making the Gum Tragacanth Binder
  • Using textured brayers to make marks on the cloth
  • Screen Printing using resists and non traditional techniques (a variation on deconstructed screen printing)

  • Monoprinting with found vegetation such as grasses and leaves.

Natural Dyed Hexagons


Natural, compost (bundle), and rust dyed cotton fabrics.  The dark red was obtained using a Turkey Red recipe.


I started these hexagons using my natural and compost dyed fabrics in March of 2005, the weekend my mother died actually, and found them last night while I was looking for a missing stack of colored papers.  This couldn't of happened at a better time as I am currently working on a new body of work called "Faded Memories: Stitched Stories of the Prairie and Plains" for an upcoming solo show at the Sanford Museum in Cherokee, Iowa.

This new body of work will encompass both traditional and digital techniques, and to say that I found these hexies made up already would be an understatement! The hexagons are from a pattern known as Grandmother's Garden, which seems rather appropriate for this new body of work!

More Stitching


Adding more vine tendrils and bits.
Hand dyed french cotton threads, natural dyed flax, natural dyed painted silk chiffon, on white silk dupioni fabric. Machine and hand stitched.


Working with hand dyed french cotton thread, I'm using a single strand to create a background layer of delicate tendrils.


Working with a couple of colors of hand dyed french cotton thread.  Next I will add more vine bits (like the upper left hand corner) using the same thread only double stranded.


I'm using the ivy bits on my house as my inspiration.


I love how they crisscross defying the laws of design!


Upcoming Challenges at the Academy!!!

Upcoming Challenges at the Academy

Marigold 30-Day Cold Dye Challenge Begins January 1st


Extreme Embroidery Extreme Hearts Challenge Begins January 11th
Join us at the Natural Surface Academy for Extreme Hearts Challenge for Valentines Day!!!  In this challenge we will be using our Natural and eco Dyed fibers, threads, ribbons, and fabrics to create constructed cloth for a one-of-a-kind heart for that special someone!



Constructed Cuff Challenge Begins January 18th
Join us at the Natural Surface Academy for Constructed Cloth Cuff Challenge for Valentines Day!!!  In this challenge we will be using our Natural and eco Dyed fibers, threads, ribbons, and fabrics to create constructed cloth for a one-of-a-kind wearable art for that special occassion!


To learn more about the Natural Surface Academy and how to join, click here.

Mark Making with Nature and The Natural Surface Academy Black Friday Sale!!!


Black Friday Sale 2013!!!
 
DVD Set $69.95
Digital Download $39.95
eBook Combo $19.95
 

Black Friday Membership Sale!!!
$299.00 (non-refundable)
Join me and other artists in 2014! 
We will be taking fabric from ordinary to extraordinary!!!
 

Stitched Stories, Mix Media Prints,
Fabric Bundles and More!!!